tisdag 21 april 2015

Tudor gown - Lessons learned since 2007

When looking through old photograps on my computer, I found pictures of my first ambitious historical costume - a Tudor gown. It took a long time to make, but was made 2005-2007, and worn for a medieval fair. I was very proud of it then, but ended up taking it apart, as the sleeves was too tight - I could barely raise my arm high enough to be able to eat...

When looking at it now, I can see two things that would have made it look much better: a petticoat and some trim. A petticoat would have hidden the rings of the stiffening in the farthingale, that is now very visible through the skirt. A simple petticoat between fathingale and skirt would probably have improved the look a lot with only a small sewing effort. The second thing, trimming, would probably have been slightly more time consuming. However, a noblewoman's gown without trim is just not looking right.

That can be seen from the fact that the two parts I still do like with this gown is the sleeves and the hat. These two are the parts where I made an extra effort with the details. The sleeves have embroidered cuffs, and the hat is beaded and made from a proper pattern. (The rest of the gown was drafted by me from some instructions on internet, since the only pattern I knew of then was the Margo Anderson pattern package, and I thought that was too much money.)

Looking at this dress, I also am very grateful for the massive amount of information that can nowadays be found on the internet. When I made this dress, I had found one website with costuming instructions and a few other with period portraits, so it was not that much to base a costume on. It was also not an option to purchase stuff like boning on the net: the farthingale is stiffened with the long thin coiled metal band that is used to fix the problem when the plumbing is backed up. The staff in the hardware store looked quite curious when I, a 18 year old girl, asked if they could find me more than two of these...

In summary, I learned four things, and afterwards some of them feel quite obvious:
  • While a historical costume might (and probably will) be impractical, you need to be able to move your arms in it
  • Never try to save time by skipping the petticoat
  • Some types of gown just needs trimming
  • A good hat or hairdo can increase the overall impression a lot (something I also learned later on, when I wore the same regency gown to a ball two years in row, the first time with almost no hairdo, the second time with the proper curls.)

1 kommentar:

  1. Kronen är ovanlig. Grovt 6,5 mm med rolex kopior en blå lock. Ärligt talat trodde jag att det blå var ett klistermärke som jag behövde klockor kopior ta bort. Tillämpningen är lite ojämn, och kanterna lämpar sig för ett handgjordt motiv, även rolex klocka kopia om jag misstänker att detta inte är fallet. Sammantaget en intressant detalj men fake cartier jag skulle gärna ha handlat för en signerad krona.
    Rörelsen i Nautoscaph, enligt Alsta, är den ena delen av klockan som inte är gjord i Schweiz fake IWC eller Tyskland. Varumärket valde Seiko NH35A-rörelsen och har använt det i alla fake audemars piguet modeller hittills. Medan jag naturligtvis skulle ha älskat att se en ETA 2824 eller till och med en Selitta här fake panerai inne, kan jag förstå varför Alsta använde Seiko-rörelsen. Detta är en prisvärd tid. Att fake hublot minska kostnaderna här medan de fortfarande använder en pålitlig rörelse gjorde det möjligt fake seiko för dem att fokusera sin uppmärksamhet på andra delar av designen. Jag tror att detta fake patek philippe verkligen har lönat sig.